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      Aug 29, 2017· Page 2 of 2 120mm to 150mm ED/APO "budget" choices (non-premium!) posted in Refractors : My story: When I was looking at ~5 inch ED/Apo Refractors that were more capable at high magnifications than my 4 inch apo but still grab and go I decided a full 5 inch was just too big to be handy. The Skywatcher 120 mm ED looked to be a nice size but I wanted something with a nicer build and a

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      I do remembered the Zuiko 100mm f/2.0 was only introduced after Olympus officially introduced the multi-spots metering capable Olympus OM-4, primarily because it was much publicized as one of the two* 35mm lense under 180mm focal length in the market to use ED glass in its optical composition to minimize chromatic aberration. Anyway, both lenses have established themselves a good reputation

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      Sony Macro 100mm 2.8. I love this lens! Very sharp, focuses quickly and accurately on my A300. Colors are true. I already had a 50mm Macro but wanted something for insects and for when I could not get so close to the subject. I considered an even longer macro but felt the 100mm was the best compromise, and am happy with my decision.

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      Sep 16, 2009· I use my 50mm f2.5 more than the 150mm f2.8 but the 150mm is a very nice thing and I wanted it as I wanted a longer quality lens as well as a macro lens. One thing that taking more close up type shots has taught me is that I shouldn't be too afraid to increase the ISO to get a

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      Sony Macro 100mm 2.8. I love this lens! Very sharp, focuses quickly and accurately on my A300. Colors are true. I already had a 50mm Macro but wanted something for insects and for when I could not get so close to the subject. I considered an even longer macro but felt the 100mm was the best compromise, and am happy with my decision.

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      Tamron 14-150mm F/3.5-5.8 Di III VC (Model C001) with Tamron's proprietary VC (Vibration Compensation) mechanism and sophisticated metal finish in two colors

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      I do remembered the Zuiko 100mm f/2.0 was only introduced after Olympus officially introduced the multi-spots metering capable Olympus OM-4, primarily because it was much publicized as one of the two* 35mm lense under 180mm focal length in the market to use ED glass in its optical composition to minimize chromatic aberration. Anyway, both lenses have established themselves a good reputation

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      The EF 85mm f /1.2L USM is a professional L series lens. Canon markets it as their "definitive portraiture lens". The lead optical engineer at Canon who led the design team for this lens was a fashion photographer, and his intention was to design a lens that would be

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      These days, it seems that if you want to get a nice sharp lens, you have to spend $1000 on a piece of L glass. Aside from the nifty fifty's of the world, there are very few lenses that deliver quality results at a low price. But if you look harder, there are actually a few old lenses that still offer amazing quality for extremely low price. How is that possible?

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      Jul 30, 2018· In this Guide to Macro lenses David and Phillip give you all the relevant information you need to find the right macro lens for your Sony Alpha 7/9 series camera. No matter if you are just an occasional macro shooter or pretty serious about macro. Macro lenses allow you

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      Olympus M.ZUIKO Digital ED 40-150mm f/4-5.6 Review

      Apr 19, 2011· The Olympus M.ZUIKO Digital ED 40-150mm f/4-5.6 is a compact and lightweight telephoto zoom lens for the Micro Four Thirds compact system camera range. Providing a 35mm equivalent focal range of 80-300mm and costing around £250 / $300, read our in-depth Olympus M.ZUIKO Digital ED 40-150mm f/4-5.6 review to find out if it makes the grade.

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      Old, Inexpensive, and Tack-Sharp: Canon's Best Lenses You

      These days, it seems that if you want to get a nice sharp lens, you have to spend $1000 on a piece of L glass. Aside from the nifty fifty's of the world, there are very few lenses that deliver quality results at a low price. But if you look harder, there are actually a few old lenses that still offer amazing quality for extremely low price. How is that possible?

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      Nov 16, 2011· Page 1 of 2 Skywatcher 150mm f/5 issues posted in Refractors : Hi, I have a Skywatcher 150mm f/5 refractor scope that I used visually few times. I recently tried astrophotography using DSLR with that scope and I found out that I cannot focus to pinpoint stars. The stars show elongated shapes/tails no matter how much I try. I read more about the scope and found that this

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      Feb 12, 2004· PMA 2004: Olympus today widened the range of lenses available in its 'E System' by adding the impressive Zuiko Digital ED 150 mm F2.0 lens. On the E-1 digital SLR this lens will provide an equivalent field of view as a 300 mm lens would on a 35 mm film camera, and this with an impressive F2.0 maximum aperture. It's no lightweight though, this lens weighs in at 1.35 KG (3 lb).

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      Use the site's product image comparison tool to visually compare the Sigma 50-100mm f/1.8 DC HSM Art Lens to other lenses. I preloaded that link with another comparison you might find helpful. A wide aperture at telephoto focal lengths means large diameter glass elements, especially in a zoom lens.

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      Use the site's product image comparison tool to visually compare the Sigma 50-100mm f/1.8 DC HSM Art Lens to other lenses. I preloaded that link with another comparison you might find helpful. A wide aperture at telephoto focal lengths means large diameter glass elements, especially in a zoom lens.

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      Jun 12, 2019· The Leica Q2 is an impressively capable fixed-lens, full-frame camera with a 47MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It's styled like a traditional Leica M rangefinder and brings a host of updates to the hugely popular original Leica Q (Typ 116) that was launched in 2015.

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      In my previous blog about the M.Zuiko 40-150mm F2.8 PRO lens, I made a very crucial claim that the lens is almost, if not as sharp as the currently sharpnest Micro Four Thirds lens out there, the M.Zuiko 75mm F1.8. I did not have the 75mm with me last week during my shoot so could not verify this claim.

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      Sigma 105mm f/2.8 EX DG OS HSM Macro Lens Sigma 150mm f/2.8 EX DG OS HSM Macro Lens Sigma 180mm f/2.8 EX DG OS HSM Macro Lens. The same lenses are shown below in their fully extended states with their lens hoods in place. Those comparison pictures show a lot especially that the 50 is small when retracted and that the 180 is a big lens.

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